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		<title>Distopia e apocalisse del sé: &#8220;Scorrete Lacrime, disse il poliziotto&#8221; di Philip K. Dick</title>
		<link>http://criticaimpura.wordpress.com/2012/02/22/distopia-e-apocalisse-del-se-scorrete-lacrime-disse-il-poliziotto-di-philip-k-dick/</link>
		<comments>http://criticaimpura.wordpress.com/2012/02/22/distopia-e-apocalisse-del-se-scorrete-lacrime-disse-il-poliziotto-di-philip-k-dick/#comments</comments>
		<pubDate>Wed, 22 Feb 2012 18:42:52 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Letteratura Impura]]></category>
		<category><![CDATA[apocalisse]]></category>
		<category><![CDATA[capitalismo]]></category>
		<category><![CDATA[contenuto]]></category>
		<category><![CDATA[critica letteraria]]></category>
		<category><![CDATA[critica sociale]]></category>
		<category><![CDATA[distopia]]></category>
		<category><![CDATA[fantascienza]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[Greimas]]></category>
		<category><![CDATA[Immanuel Kant]]></category>
		<category><![CDATA[industria culturale]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[oggetto]]></category>
		<category><![CDATA[Philip K. Dick]]></category>
		<category><![CDATA[potere]]></category>
		<category><![CDATA[prosa]]></category>
		<category><![CDATA[realtà]]></category>
		<category><![CDATA[romanzo]]></category>
		<category><![CDATA[sé]]></category>
		<category><![CDATA[scrittura]]></category>
		<category><![CDATA[Scuola di Francoforte]]></category>
		<category><![CDATA[semiotica]]></category>
		<category><![CDATA[sociologia]]></category>
		<category><![CDATA[soggetto]]></category>
		<category><![CDATA[straniamento]]></category>
		<category><![CDATA[strutturalismo]]></category>
		<category><![CDATA[Theodor Adorno]]></category>
		<category><![CDATA[virtuale]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=993</guid>
		<description><![CDATA[Di ELISA EMILIANI   Prendendo in considerazione semioticamente un testo come Scorrete lacrime, disse il poliziotto di Philip K. Dick, risulta impossibile non imbattersi in alcuni grandi nodi problematici e affrontarli in senso critico. Nel suo compito d&#8217;analisi, l’indagine semiotica s&#8217;intreccia alla filosofia costituendo una sintesi di discipline che risulta essere un efficace meccanismo di esame, ma anche fornendo le [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=993&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2012/02/22/distopia-e-apocalisse-del-se-scorrete-lacrime-disse-il-poliziotto-di-philip-k-dick/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
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			<media:title type="html">Philip K. Dick</media:title>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
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		<item>
		<title>Lo Shibari come arte d&#8217;avanguardia. Una conversazione impura con Isabella Corda, aka Dolcissima Bastarda.</title>
		<link>http://criticaimpura.wordpress.com/2012/02/17/lo-shibari-come-arte-davanguardia-una-conversazione-impura-con-isabella-corda-aka-dolcissima-bastarda/</link>
		<comments>http://criticaimpura.wordpress.com/2012/02/17/lo-shibari-come-arte-davanguardia-una-conversazione-impura-con-isabella-corda-aka-dolcissima-bastarda/#comments</comments>
		<pubDate>Fri, 17 Feb 2012 19:54:01 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Arte Impura]]></category>
		<category><![CDATA[Interviste Impure]]></category>
		<category><![CDATA[arte]]></category>
		<category><![CDATA[bdsm]]></category>
		<category><![CDATA[body art]]></category>
		<category><![CDATA[bondage]]></category>
		<category><![CDATA[corda]]></category>
		<category><![CDATA[corpo]]></category>
		<category><![CDATA[estetica]]></category>
		<category><![CDATA[forma]]></category>
		<category><![CDATA[fotografia]]></category>
		<category><![CDATA[intervista]]></category>
		<category><![CDATA[Isabella Corda]]></category>
		<category><![CDATA[kinbaku]]></category>
		<category><![CDATA[neoavanguardia]]></category>
		<category><![CDATA[potere]]></category>
		<category><![CDATA[shibari]]></category>
		<category><![CDATA[sperimentalismo]]></category>
		<category><![CDATA[straniamento]]></category>
		<category><![CDATA[tradizione giapponese]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=950</guid>
		<description><![CDATA[Di SONIA CAPOROSSI Isabella Corda, in arte DolcissimaBastarda, è una rope stylist e bondager. E c&#8217;è della bellezza, della compostezza di natura estetica profonda in ciò che fa. Un classicismo rivoluzionario, quasi un ossimoro nel suo modo di insalamare un corpo umano fino ai più intimi recessi di pelle. Eppure lei si definisce “una persona, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=950&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2012/02/17/lo-shibari-come-arte-davanguardia-una-conversazione-impura-con-isabella-corda-aka-dolcissima-bastarda/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
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			<media:title type="html">FASHION_00009</media:title>
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		<media:content url="http://1.gravatar.com/avatar/d6d6bff432c0efd4fbf9812821ee0854?s=96&#38;d=&#38;r=G" medium="image">
			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2012/02/db-fashion-bondage.jpg?w=199" medium="image">
			<media:title type="html">DB fashion bondage</media:title>
		</media:content>
	</item>
		<item>
		<title>La parola come ricerca culturale e sociale. Appunti su &#8220;Linguaggio e scrittura&#8221; di Michail M. Bachtin</title>
		<link>http://criticaimpura.wordpress.com/2012/02/12/la-parola-come-ricerca-culturale-e-sociale-appunti-su-linguaggio-e-scrittura-di-michail-m-bachtin/</link>
		<comments>http://criticaimpura.wordpress.com/2012/02/12/la-parola-come-ricerca-culturale-e-sociale-appunti-su-linguaggio-e-scrittura-di-michail-m-bachtin/#comments</comments>
		<pubDate>Sun, 12 Feb 2012 00:44:09 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Filosofia Impura]]></category>
		<category><![CDATA[cultura]]></category>
		<category><![CDATA[enunciazione]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[filosofia del linguaggio]]></category>
		<category><![CDATA[governo]]></category>
		<category><![CDATA[intonazione]]></category>
		<category><![CDATA[linguaggio]]></category>
		<category><![CDATA[Michail Bachtin]]></category>
		<category><![CDATA[parola]]></category>
		<category><![CDATA[potere]]></category>
		<category><![CDATA[prosa]]></category>
		<category><![CDATA[rivoluzione]]></category>
		<category><![CDATA[sé]]></category>
		<category><![CDATA[scrittura]]></category>
		<category><![CDATA[società]]></category>
		<category><![CDATA[sociologia]]></category>
		<category><![CDATA[Stato]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=940</guid>
		<description><![CDATA[Di FRANCESCA FIORLETTA Il linguaggio, come ben sappiamo, non è mai esattamente esauribile né placidamente categorizzabile entro omologanti schematismi precostituiti, dacché risulta continuamente soggetto/oggetto di perpetue mutazioni, le quali pertengono sia al profilo più strettamente epistemologico, sia al vastissimo campo delle più esplicitate variabili a carattere metastorico, socializzato, evolutivo e, non ultimi, relazionale e interpersonale. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=940&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2012/02/12/la-parola-come-ricerca-culturale-e-sociale-appunti-su-linguaggio-e-scrittura-di-michail-m-bachtin/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
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			<media:title type="html">Michail Bachtin</media:title>
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		<media:content url="http://1.gravatar.com/avatar/d6d6bff432c0efd4fbf9812821ee0854?s=96&#38;d=&#38;r=G" medium="image">
			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
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	</item>
		<item>
		<title>Il labirinto cittadino come mitologema della noia: &#8220;Se fossi fuoco arderei Firenze&#8221; di Vanni Santoni</title>
		<link>http://criticaimpura.wordpress.com/2012/02/06/il-labirinto-cittadino-come-mitologema-della-noia-se-fossi-fuoco-arderei-firenze-di-vanni-santoni/</link>
		<comments>http://criticaimpura.wordpress.com/2012/02/06/il-labirinto-cittadino-come-mitologema-della-noia-se-fossi-fuoco-arderei-firenze-di-vanni-santoni/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 18:57:46 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Letteratura Impura]]></category>
		<category><![CDATA[Andrea Pazienza]]></category>
		<category><![CDATA[Carlo Emilio Gadda]]></category>
		<category><![CDATA[CCCP]]></category>
		<category><![CDATA[Cecco Angiolieri]]></category>
		<category><![CDATA[contenuto]]></category>
		<category><![CDATA[critica letteraria]]></category>
		<category><![CDATA[erlebte rede]]></category>
		<category><![CDATA[Firenze]]></category>
		<category><![CDATA[forma]]></category>
		<category><![CDATA[Galliano Juso]]></category>
		<category><![CDATA[Giorgio Manganelli]]></category>
		<category><![CDATA[Giovanni Lindo Ferretti]]></category>
		<category><![CDATA[Giovanni Verga]]></category>
		<category><![CDATA[laterza]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[Marco Ferreri]]></category>
		<category><![CDATA[Martin Heidegger]]></category>
		<category><![CDATA[mitologema]]></category>
		<category><![CDATA[monologo interiore]]></category>
		<category><![CDATA[Odissea]]></category>
		<category><![CDATA[Pier Paolo Pasolini]]></category>
		<category><![CDATA[Pier Vittorio Tondelli]]></category>
		<category><![CDATA[prosa]]></category>
		<category><![CDATA[romanzo]]></category>
		<category><![CDATA[scrittura]]></category>
		<category><![CDATA[Se fossi fuoco arderei Firenze]]></category>
		<category><![CDATA[sociologia]]></category>
		<category><![CDATA[Vanni Santoni]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=928</guid>
		<description><![CDATA[Di SONIA CAPOROSSI   «Che poi, artisti o no, ci si può davvero costruire un&#8217;esistenza indipendente, qui, senza doversi allacciare a un sistema di supporto vitale fatto di parentele, conoscenze, amicizie, relazioni per niente dinamiche? E nelle altre città d&#8217;Europa, sarà davvero diverso? O farei la stessa fine, con le stesse scarse opportunità, lo stesso [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=928&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2012/02/06/il-labirinto-cittadino-come-mitologema-della-noia-se-fossi-fuoco-arderei-firenze-di-vanni-santoni/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		<georss:point>41.954767 12.777958</georss:point>
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		<media:content url="http://criticaimpura.files.wordpress.com/2012/02/se-fossi-fuoco1.gif?w=99" medium="image">
			<media:title type="html">se fossi fuoco</media:title>
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		<media:content url="http://1.gravatar.com/avatar/d6d6bff432c0efd4fbf9812821ee0854?s=96&#38;d=&#38;r=G" medium="image">
			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
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	</item>
		<item>
		<title>Il centro del mondo, la parola e la morte. Appunti su Centuria di Giorgio Manganelli</title>
		<link>http://criticaimpura.wordpress.com/2012/01/31/il-centro-del-mondo-la-parola-e-la-morte-appunti-su-centuria-di-giorgio-manganelli/</link>
		<comments>http://criticaimpura.wordpress.com/2012/01/31/il-centro-del-mondo-la-parola-e-la-morte-appunti-su-centuria-di-giorgio-manganelli/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 22:56:59 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Letteratura Impura]]></category>
		<category><![CDATA[Centuria]]></category>
		<category><![CDATA[critica letteraria]]></category>
		<category><![CDATA[extratesto]]></category>
		<category><![CDATA[Giorgio Manganelli]]></category>
		<category><![CDATA[inferno]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[morte]]></category>
		<category><![CDATA[narrativa]]></category>
		<category><![CDATA[Pinocchio]]></category>
		<category><![CDATA[prosa]]></category>
		<category><![CDATA[romanzo]]></category>
		<category><![CDATA[scrittura]]></category>
		<category><![CDATA[sperimentalismo]]></category>
		<category><![CDATA[testo]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=913</guid>
		<description><![CDATA[di ANTONELLA PIERANGELI Noi siamo abitanti dell’inferno e lo siamo finché avremo la fortuna di vivere un secolo di lumi, di progresso, di civiltà, di fraternità, di tutte queste cose immonde. Giorgio Manganelli Un insopprimibile desiderio di respirare nella “palude definitiva” del senso, il luogo manganelliano per eccellenza, dove la parola subisce la fascinazione dell’abisso, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=913&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2012/01/31/il-centro-del-mondo-la-parola-e-la-morte-appunti-su-centuria-di-giorgio-manganelli/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		<georss:point>41.954767 12.777958</georss:point>
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		<media:thumbnail url="http://criticaimpura.files.wordpress.com/2012/01/gmanganelli.jpg?w=150" />
		<media:content url="http://criticaimpura.files.wordpress.com/2012/01/gmanganelli.jpg?w=150" medium="image">
			<media:title type="html">GManganelli</media:title>
		</media:content>

		<media:content url="http://1.gravatar.com/avatar/d6d6bff432c0efd4fbf9812821ee0854?s=96&#38;d=&#38;r=G" medium="image">
			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
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	</item>
		<item>
		<title>27 gennaio 1945 &#8211; 27 gennaio 2011. La banalità del male e la memoria salvata.</title>
		<link>http://criticaimpura.wordpress.com/2012/01/27/27-gennaio-1945-27-gennaio-2011-la-banalita-del-male-e-la-memoria-salvata/</link>
		<comments>http://criticaimpura.wordpress.com/2012/01/27/27-gennaio-1945-27-gennaio-2011-la-banalita-del-male-e-la-memoria-salvata/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 19:20:26 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Storia Impura]]></category>
		<category><![CDATA[Adolf Eichmann]]></category>
		<category><![CDATA[antisemitismo]]></category>
		<category><![CDATA[Auschwitz]]></category>
		<category><![CDATA[Bruno Bettelheim]]></category>
		<category><![CDATA[Elie Wiesel]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[filosofia della storia]]></category>
		<category><![CDATA[genocidio]]></category>
		<category><![CDATA[giornata della memoria]]></category>
		<category><![CDATA[Hannah Arendt]]></category>
		<category><![CDATA[Jean Améry]]></category>
		<category><![CDATA[Karl Jaspers]]></category>
		<category><![CDATA[Martin Heidegger]]></category>
		<category><![CDATA[memoria]]></category>
		<category><![CDATA[nazismo]]></category>
		<category><![CDATA[omofobia]]></category>
		<category><![CDATA[Paul Celan]]></category>
		<category><![CDATA[Pol Pot]]></category>
		<category><![CDATA[Primo Levi]]></category>
		<category><![CDATA[Robert Antelme]]></category>
		<category><![CDATA[Shoah]]></category>
		<category><![CDATA[Slobodan Milosevic]]></category>
		<category><![CDATA[Stalin]]></category>
		<category><![CDATA[storia]]></category>
		<category><![CDATA[storiografia]]></category>
		<category><![CDATA[totalitarismo]]></category>
		<category><![CDATA[Tzvetan Todorov]]></category>
		<category><![CDATA[Vladimir Jankélévitch]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=895</guid>
		<description><![CDATA[di ANTONELLA PIERANGELI Dedicato a tutti coloro che fanno a brandelli i documenti, agli assassini della memoria, ai revisori delle enciclopedie, ai cospiratori del silenzio&#8230; &#8220;Comprendere non significa negare l&#8217;atroce, dedurre il fatto inaudito da precedenti, o spiegare i fenomeni con analogie e affermazioni generali in cui non si avverte più l&#8217;urto della realtà e [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=895&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>5</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
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		<title>A memoria. Perché quell&#8217;abominio ci appartiene non solo spiritualmente eticamente, ma tecnicamente politicamente, ancora.</title>
		<link>http://criticaimpura.wordpress.com/2012/01/27/a-memoria-perche-quellabominio-ci-appartiene-non-solo-spiritualmente-eticamente-ma-tecnicamente-politicamente-ancora/</link>
		<comments>http://criticaimpura.wordpress.com/2012/01/27/a-memoria-perche-quellabominio-ci-appartiene-non-solo-spiritualmente-eticamente-ma-tecnicamente-politicamente-ancora/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 17:13:14 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Testi Impuri]]></category>
		<category><![CDATA[arte]]></category>
		<category><![CDATA[Auschwitz]]></category>
		<category><![CDATA[fotografia]]></category>
		<category><![CDATA[Francesca Anita Modotti]]></category>
		<category><![CDATA[giornata della memoria]]></category>
		<category><![CDATA[memoria]]></category>
		<category><![CDATA[poesia]]></category>
		<category><![CDATA[poesia civile]]></category>
		<category><![CDATA[Shoah]]></category>
		<category><![CDATA[storia]]></category>
		<category><![CDATA[Vladimir D'Amora]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=880</guid>
		<description><![CDATA[di VLADIMIR D&#8217;AMORA A memoria Fu parola contro, così fu letto l&#8217;urlo del sopravvissuto. Ma testimone resta, al colmo dell&#8217;insonnia, ogni memoria, la nostra indignazione. ……………………………………………….. Denudate, mai sole, mai esiliate figlie di mani sperse e qui e ora l&#8217;umidità inflitta al corpo, gelo di studio Dalle mani alle funzioni per darsi a bere vita, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=880&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>2</slash:comments>
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		<media:content url="http://criticaimpura.files.wordpress.com/2012/01/l-3-francescaanitamodotti.jpg?w=150" medium="image">
			<media:title type="html">Fotografia di Francesca Anita Modotti</media:title>
		</media:content>

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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
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		<title>23/01/2011 &#8211; 23/01/2012: un anno di Critica Impura.</title>
		<link>http://criticaimpura.wordpress.com/2012/01/23/23012011-23012012-un-anno-di-critica-impura/</link>
		<comments>http://criticaimpura.wordpress.com/2012/01/23/23012011-23012012-un-anno-di-critica-impura/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 19:31:01 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Testi Impuri]]></category>
		<category><![CDATA[anniversario]]></category>
		<category><![CDATA[Antonella Pierangeli]]></category>
		<category><![CDATA[blog]]></category>
		<category><![CDATA[critica impura]]></category>
		<category><![CDATA[critica letteraria]]></category>
		<category><![CDATA[estetica]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[fotografia]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[poesia]]></category>
		<category><![CDATA[prosa]]></category>
		<category><![CDATA[scrittura]]></category>
		<category><![CDATA[Sonia Caporossi]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=829</guid>
		<description><![CDATA[Di SONIA CAPOROSSI e ANTONELLA PIERANGELI Come nacque l’impurezza nel multiverso del verbo: un resoconto a posteriori. Scrivere Mainstream vuol dire arenarsi in un ampio, ramificato, delta di fango. Solo la nicchia ha la foce a estuario. Nel primo caso, dopo essere emerso, affondi in larga compagnia. Nel secondo, prendi il largo, ma da solo. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=829&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>4</slash:comments>
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			<media:title type="html">Sonia Caporossi - Risacca</media:title>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
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		<title>Nel gorgo (per la Costa Concordia e per tutti i naufragi).</title>
		<link>http://criticaimpura.wordpress.com/2012/01/15/nel-gorgo-per-la-costa-concordia-e-per-tutti-i-naufragi/</link>
		<comments>http://criticaimpura.wordpress.com/2012/01/15/nel-gorgo-per-la-costa-concordia-e-per-tutti-i-naufragi/#comments</comments>
		<pubDate>Sun, 15 Jan 2012 13:17:55 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Arte Impura]]></category>
		<category><![CDATA[Società Impura]]></category>
		<category><![CDATA[arte]]></category>
		<category><![CDATA[computer]]></category>
		<category><![CDATA[computer art]]></category>
		<category><![CDATA[Costa Concordia]]></category>
		<category><![CDATA[digital art]]></category>
		<category><![CDATA[disegno]]></category>
		<category><![CDATA[gorgo]]></category>
		<category><![CDATA[naufragio]]></category>
		<category><![CDATA[neoastrattismo]]></category>
		<category><![CDATA[Sonia Caporossi]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=763</guid>
		<description><![CDATA[di SONIA CAPOROSSI Filed under: Arte Impura, Società Impura Tagged: arte, computer, computer art, Costa Concordia, digital art, disegno, gorgo, naufragio, neoastrattismo, Sonia Caporossi<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=763&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
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			<media:title type="html">Nel gorgo - Sonia Caporossi 2012</media:title>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
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			<media:title type="html">Nel gorgo - Sonia Caporossi 2012</media:title>
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		<title>&#8220;Rivedo il mio paese…&#8221;, &#8220;Non è fondo…&#8221;, &#8220;A F.A.&#8221;: tre poesie di Vladimir D&#8217;Amora.</title>
		<link>http://criticaimpura.wordpress.com/2012/01/12/rivedo-il-mio-paese-non-e-fondo-a-f-a-tre-poesie-di-vladimir-damora/</link>
		<comments>http://criticaimpura.wordpress.com/2012/01/12/rivedo-il-mio-paese-non-e-fondo-a-f-a-tre-poesie-di-vladimir-damora/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 22:03:17 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Testi Impuri]]></category>
		<category><![CDATA[andrea silva]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[poesia]]></category>
		<category><![CDATA[scrittura]]></category>
		<category><![CDATA[Vladimir D'Amora]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=733</guid>
		<description><![CDATA[di VLADIMIR D&#8217;AMORA [Rivedo il mio paese,…] Rivedo il mio paese, Calvizzano, del nord di Napoli spaiato e catafratto, pietra del doppio vincolo, coi suoi dintorni fissi fondali per corse in sé concluse, che continuano, col sangue giovane alla morte, come al neon, come la carne fosse cemento e le vite non si smuoveranno. Al [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=733&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>4</slash:comments>
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		<media:thumbnail url="http://criticaimpura.files.wordpress.com/2012/01/andrea-silva-lavatoio-san-carlo1.jpg?w=100" />
		<media:content url="http://criticaimpura.files.wordpress.com/2012/01/andrea-silva-lavatoio-san-carlo1.jpg?w=100" medium="image">
			<media:title type="html">&#34;Lavatoio San Carlo&#34;, © Andrea Silva, 2011</media:title>
		</media:content>

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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
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		<title>La crisi del linguaggio filosofico nella seconda modernità: una riflessione dal sottosuolo.</title>
		<link>http://criticaimpura.wordpress.com/2012/01/05/la-crisi-del-linguaggio-filosofico-nella-seconda-modernita-una-riflessione-dal-sottosuolo/</link>
		<comments>http://criticaimpura.wordpress.com/2012/01/05/la-crisi-del-linguaggio-filosofico-nella-seconda-modernita-una-riflessione-dal-sottosuolo/#comments</comments>
		<pubDate>Thu, 05 Jan 2012 17:15:31 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Filosofia Impura]]></category>
		<category><![CDATA[Società Impura]]></category>
		<category><![CDATA[arte]]></category>
		<category><![CDATA[Émile Durkheim]]></category>
		<category><![CDATA[contenuto]]></category>
		<category><![CDATA[costruttivismo]]></category>
		<category><![CDATA[critica letteraria]]></category>
		<category><![CDATA[Emilio Garroni]]></category>
		<category><![CDATA[estetica]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[filosofia del linguaggio]]></category>
		<category><![CDATA[forma]]></category>
		<category><![CDATA[linguaggio]]></category>
		<category><![CDATA[narrazione]]></category>
		<category><![CDATA[Novecento]]></category>
		<category><![CDATA[Paolo D'Angelo]]></category>
		<category><![CDATA[poiesis]]></category>
		<category><![CDATA[postmoderno]]></category>
		<category><![CDATA[Roland Barthes]]></category>
		<category><![CDATA[romanzo]]></category>
		<category><![CDATA[scrittura]]></category>
		<category><![CDATA[seconda modernità]]></category>
		<category><![CDATA[sociologia]]></category>
		<category><![CDATA[Stefano Zecchi]]></category>
		<category><![CDATA[storia]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=716</guid>
		<description><![CDATA[di SONIA CAPOROSSI In questa società la vita, nel migliore dei casi, è una noia sconfinata e nulla riguarda le donne: dunque, alle donne responsabili, civilmente impegnate e in cerca di emozioni sconvolgenti, non resta che rovesciare il governo, eliminare il sistema monetario, istituire l&#8217;automazione globale e distruggere il sesso maschile. (Quella mattacchiona di Valerie [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=716&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>6</slash:comments>
		<georss:point>41.954767 12.777958</georss:point>
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			<media:title type="html">Senza parole?</media:title>
		</media:content>

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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
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		<title>Riflettendo (su) Rebecca: dalla carta alla celluloide.</title>
		<link>http://criticaimpura.wordpress.com/2011/12/29/riflettendo-su-rebecca-dalla-carta-alla-celluloide/</link>
		<comments>http://criticaimpura.wordpress.com/2011/12/29/riflettendo-su-rebecca-dalla-carta-alla-celluloide/#comments</comments>
		<pubDate>Thu, 29 Dec 2011 22:31:06 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Cinema Impuro]]></category>
		<category><![CDATA[Letteratura Impura]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[critica letteraria]]></category>
		<category><![CDATA[Daphne Du Maurier]]></category>
		<category><![CDATA[gotico]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Joan Fontaine]]></category>
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		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[Rebecca]]></category>
		<category><![CDATA[romanzo]]></category>
		<category><![CDATA[Romanzo psicologico]]></category>
		<category><![CDATA[thriller]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=703</guid>
		<description><![CDATA[di LENI REMEDIOS E&#8217; passato un po&#8217; di tempo da quando ho chiuso il romanzo di Daphne du Maurier. Eppure il suo spirito infesta ancora i miei pensieri. Ho letto che tale effetto sia il fio che inevitabilmente paga chiunque entri in contatto con questa storia. Sembra che l&#8217;immagine di Rebecca de Winter, forse la [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=703&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
		<georss:point>41.954767 12.777958</georss:point>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
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			<media:title type="html">daphne</media:title>
		</media:content>

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			<media:title type="html">RebeccaTrailer</media:title>
		</media:content>
	</item>
		<item>
		<title>Autostrade interstellari</title>
		<link>http://criticaimpura.wordpress.com/2011/12/25/autostrade-interstellari/</link>
		<comments>http://criticaimpura.wordpress.com/2011/12/25/autostrade-interstellari/#comments</comments>
		<pubDate>Sun, 25 Dec 2011 20:08:11 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Arte Impura]]></category>
		<category><![CDATA[arte]]></category>
		<category><![CDATA[computer art]]></category>
		<category><![CDATA[digital art]]></category>
		<category><![CDATA[disegno]]></category>
		<category><![CDATA[neoastrattismo]]></category>
		<category><![CDATA[pittura]]></category>
		<category><![CDATA[Sonia Caporossi]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=691</guid>
		<description><![CDATA[CRITICA IMPURA BLOG augura buone feste a tutti i lettori e lo fa, come al solito, artisticamente, laicamente, a modo suo&#8230; Filed under: Arte Impura Tagged: arte, computer art, digital art, disegno, neoastrattismo, pittura, Sonia Caporossi<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=691&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
		<georss:point>41.954767 12.777958</georss:point>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/12/autostrade-interstellari3.jpg" medium="image">
			<media:title type="html">Autostrade interstellari</media:title>
		</media:content>
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		<item>
		<title>Pulsione e ideologia: l&#8217;Edipo Re di Pasolini fra autobiografia e contenutismo. Una proposta di lettura.</title>
		<link>http://criticaimpura.wordpress.com/2011/12/24/pulsione-e-ideologia-ledipo-re-di-pasolini-fra-autobiografia-e-contenutismo-una-proposta-di-lettura/</link>
		<comments>http://criticaimpura.wordpress.com/2011/12/24/pulsione-e-ideologia-ledipo-re-di-pasolini-fra-autobiografia-e-contenutismo-una-proposta-di-lettura/#comments</comments>
		<pubDate>Sat, 24 Dec 2011 16:32:30 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Cinema Impuro]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[Complesso di Edipo]]></category>
		<category><![CDATA[contenuto]]></category>
		<category><![CDATA[Edipo Re]]></category>
		<category><![CDATA[forma]]></category>
		<category><![CDATA[Giacomo Leopardi]]></category>
		<category><![CDATA[Gilles Deleuze]]></category>
		<category><![CDATA[Giuseppe Casadio]]></category>
		<category><![CDATA[ideologia]]></category>
		<category><![CDATA[Pier Paolo Pasolini]]></category>
		<category><![CDATA[psicanalisi]]></category>
		<category><![CDATA[Serafino Murri]]></category>
		<category><![CDATA[Sessantotto]]></category>
		<category><![CDATA[Sigmund Freud]]></category>
		<category><![CDATA[Sofocle]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=675</guid>
		<description><![CDATA[di SONIA CAPOROSSI “Non si torna mai all’innocenza. Non solo se si è scoperto di essere colpevoli, ma anche se si è scoperto di essere innocenti”. Emilio Garroni “Edipo Re” di Pasolini è un film contraddittorio come spesso la produzione registica del nostro autore ha concesso ai critici più smaliziati ed onesti di poter dire. Dietro, oltre [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=675&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/12/24/pulsione-e-ideologia-ledipo-re-di-pasolini-fra-autobiografia-e-contenutismo-una-proposta-di-lettura/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/12/edipore_paoloferrari.jpg?w=300" medium="image">
			<media:title type="html">edipore_paoloferrari</media:title>
		</media:content>
	</item>
		<item>
		<title>Attraverso il cinema, verso la vita: l&#8217;Atalante di Jean Vigo</title>
		<link>http://criticaimpura.wordpress.com/2011/11/09/attraverso-il-cinema-verso-la-vita-latalante-di-jean-vigo/</link>
		<comments>http://criticaimpura.wordpress.com/2011/11/09/attraverso-il-cinema-verso-la-vita-latalante-di-jean-vigo/#comments</comments>
		<pubDate>Wed, 09 Nov 2011 16:20:07 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Cinema Impuro]]></category>
		<category><![CDATA[Atalante]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[documentario]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Gaston Bachelard]]></category>
		<category><![CDATA[Gilles Deleuze]]></category>
		<category><![CDATA[Jean Renoir]]></category>
		<category><![CDATA[Jean Vigo]]></category>
		<category><![CDATA[Luis Buñuel]]></category>
		<category><![CDATA[Simone Ghelli]]></category>
		<category><![CDATA[surrealismo]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=665</guid>
		<description><![CDATA[  di SIMONE GHELLI Il cinema può andare avanti quanto vuole, ma non supererà mai e forse non raggiungerà un film come L&#8217;Atalante, un film dove c&#8217;è già dentro tutto. Luis Buñuel   Quello con il cinema di Jean Vigo fu per me amore a prima vista: per me studente universitario, arrivato alle lettere dopo [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=665&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/11/09/attraverso-il-cinema-verso-la-vita-latalante-di-jean-vigo/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/11/tb_s__ghelli___l__atalante_di_jean_vigo.jpg?w=210" medium="image">
			<media:title type="html">tb_s__ghelli___l__atalante_di_jean_vigo</media:title>
		</media:content>
	</item>
		<item>
		<title>Pier Paolo Pasolini a futura memoria. Una riflessione postuma a 36 anni dalla scomparsa.</title>
		<link>http://criticaimpura.wordpress.com/2011/11/02/pier-paolo-pasolini-a-futura-memoria-una-riflessione-postuma-a-36-anni-dalla-scomparsa/</link>
		<comments>http://criticaimpura.wordpress.com/2011/11/02/pier-paolo-pasolini-a-futura-memoria-una-riflessione-postuma-a-36-anni-dalla-scomparsa/#comments</comments>
		<pubDate>Wed, 02 Nov 2011 19:32:15 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Società Impura]]></category>
		<category><![CDATA[omologazione]]></category>
		<category><![CDATA[Pier Paolo Pasolini]]></category>
		<category><![CDATA[poesia]]></category>
		<category><![CDATA[poesia civile]]></category>
		<category><![CDATA[potere]]></category>
		<category><![CDATA[società dei consumi]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=644</guid>
		<description><![CDATA[&#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; di ANTONELLA PIERANGELI con un disegno di SONIA CAPOROSSI Noi staremo offerti sulla croce, alla gogna, tra le pupille limpide di gioia feroce, scoprendo all&#8217;ironia le stille del sangue dal petto ai ginocchi, miti, ridicoli, tremando d&#8217;intelletto e passione nel gioco del cuore [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=644&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/11/02/pier-paolo-pasolini-a-futura-memoria-una-riflessione-postuma-a-36-anni-dalla-scomparsa/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/11/gli-uccelli-della-minerva-arrivano-sempre-il-2-novembre-a-pier-paolo-pasolini.jpg" medium="image">
			<media:title type="html">Gli uccelli della Minerva arrivano sempre il 2 novembre (a Pier Paolo Pasolini)</media:title>
		</media:content>
	</item>
		<item>
		<title>&#8220;I sensi del sublime &#8211; l’infame, l&#8217;illustre&#8221;. Solo Bellezza, omaggio a Giovanni Giudici</title>
		<link>http://criticaimpura.wordpress.com/2011/10/23/i-sensi-del-sublime-l%e2%80%99infame-lillustre-solo-bellezza-omaggio-a-giovanni-giudici/</link>
		<comments>http://criticaimpura.wordpress.com/2011/10/23/i-sensi-del-sublime-l%e2%80%99infame-lillustre-solo-bellezza-omaggio-a-giovanni-giudici/#comments</comments>
		<pubDate>Sun, 23 Oct 2011 21:38:44 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Letteratura Impura]]></category>
		<category><![CDATA[critica letteraria]]></category>
		<category><![CDATA[Dante Alighieri]]></category>
		<category><![CDATA[Giovanni Giudici]]></category>
		<category><![CDATA[Giovanni Raboni]]></category>
		<category><![CDATA[Guido Cavalcanti]]></category>
		<category><![CDATA[Guido Gozzano]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[Michail Bachtin]]></category>
		<category><![CDATA[Minnesang]]></category>
		<category><![CDATA[poesia]]></category>
		<category><![CDATA[scrittura]]></category>
		<category><![CDATA[Stilnovo]]></category>
		<category><![CDATA[Vittorio Sereni]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=615</guid>
		<description><![CDATA[di ANTONELLA PIERANGELI Metti in versi la vita, trascrivi fedelmente, senza tacere particolare alcuno, l&#8217;evidenza dei vivi. Ma non dimenticare che vedere non è sapere, né potere, bensì ridicolo un altro voler essere che te. Nel sotto e nel soprammondo s’allacciano complicità di visceri, saettano occhiate d&#8217;accordi. E gli astanti s’affacciano al limbo delle intermedie [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=615&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/10/23/i-sensi-del-sublime-l%e2%80%99infame-lillustre-solo-bellezza-omaggio-a-giovanni-giudici/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/10/giudici1.jpg?w=231" medium="image">
			<media:title type="html">Giudici</media:title>
		</media:content>
	</item>
		<item>
		<title>A conglomerar fosfeni&#8230; (per Andrea Zanzotto)</title>
		<link>http://criticaimpura.wordpress.com/2011/10/18/a-conglomerar-fosfeni-per-andrea-zanzotto/</link>
		<comments>http://criticaimpura.wordpress.com/2011/10/18/a-conglomerar-fosfeni-per-andrea-zanzotto/#comments</comments>
		<pubDate>Tue, 18 Oct 2011 21:08:23 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Arte Impura]]></category>
		<category><![CDATA[Andrea Zanzotto]]></category>
		<category><![CDATA[computer]]></category>
		<category><![CDATA[computer art]]></category>
		<category><![CDATA[digital art]]></category>
		<category><![CDATA[neoastrattismo]]></category>
		<category><![CDATA[poesia]]></category>
		<category><![CDATA[Sonia Caporossi]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=597</guid>
		<description><![CDATA[di SONIA CAPOROSSI In memoria di Andrea Zanzotto (1921-2011) Filed under: Arte Impura Tagged: Andrea Zanzotto, computer, computer art, digital art, neoastrattismo, poesia, Sonia Caporossi<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=597&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/10/18/a-conglomerar-fosfeni-per-andrea-zanzotto/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/10/a-conglomerar-fosfeni-sonia-caporossi1.jpg" medium="image">
			<media:title type="html">A conglomerar fosfeni...(Per Andrea Zanzotto)</media:title>
		</media:content>
	</item>
		<item>
		<title>&#8220;Ieri, nel campo&#8221; di Vladimir D&#8217;Amora</title>
		<link>http://criticaimpura.wordpress.com/2011/10/14/ieri-nel-campo-di-vladimir-damora/</link>
		<comments>http://criticaimpura.wordpress.com/2011/10/14/ieri-nel-campo-di-vladimir-damora/#comments</comments>
		<pubDate>Fri, 14 Oct 2011 16:28:58 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Testi Impuri]]></category>
		<category><![CDATA[Auschwitz]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[prosa]]></category>
		<category><![CDATA[scrittura]]></category>
		<category><![CDATA[storia]]></category>
		<category><![CDATA[Theodor Adorno]]></category>
		<category><![CDATA[Vladimir D'Amora]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=558</guid>
		<description><![CDATA[di VLADIMIR D&#8217;AMORA Auschwitz inizia ogni volta che qualcuno guarda a un mattatoio e pensa: sono soltanto animali. (T.L.W.Adorno) Pure il campo ha il suo ritmo. Ci pensavo ieri, al ritorno, ancora sotto la camicia. E ho continuato pensando, fino ad ora, che devo renderne conto. Bloccarne il peso, non scivolare. Oggi. A noi che [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=558&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/10/14/ieri-nel-campo-di-vladimir-damora/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<media:content url="http://1.gravatar.com/avatar/d6d6bff432c0efd4fbf9812821ee0854?s=96&#38;d=&#38;r=G" medium="image">
			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/10/shoah.jpg?w=300" medium="image">
			<media:title type="html">shoah</media:title>
		</media:content>
	</item>
		<item>
		<title>Intrappolati in una Matrice di paglia (a Steve Jobs)</title>
		<link>http://criticaimpura.wordpress.com/2011/10/06/intrappolati-in-una-matrice-di-paglia-a-steve-jobs/</link>
		<comments>http://criticaimpura.wordpress.com/2011/10/06/intrappolati-in-una-matrice-di-paglia-a-steve-jobs/#comments</comments>
		<pubDate>Thu, 06 Oct 2011 22:03:20 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Arte Impura]]></category>
		<category><![CDATA[astrattismo]]></category>
		<category><![CDATA[computer]]></category>
		<category><![CDATA[computer art]]></category>
		<category><![CDATA[digital art]]></category>
		<category><![CDATA[disegno]]></category>
		<category><![CDATA[forma]]></category>
		<category><![CDATA[Sonia Caporossi]]></category>
		<category><![CDATA[Steve Jobs]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=529</guid>
		<description><![CDATA[&#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; di SONIA CAPOROSSI In memoria di Steve Jobs (1955 &#8211; 2011). Filed under: Arte Impura Tagged: astrattismo, computer, computer art, digital art, disegno, forma, Sonia Caporossi, Steve Jobs<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=529&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/10/06/intrappolati-in-una-matrice-di-paglia-a-steve-jobs/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/10/intrappolati-in-una-matrice-di-paglia-a-steve-jobs-sonia-caporossi3.jpg" medium="image">
			<media:title type="html">Sonia Caporossi, &#34;Intrappolati In Una Matrice Di Paglia (a Steve Jobs)&#34;, computer art, 2011</media:title>
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	</item>
		<item>
		<title>&#8220;L&#8217;Ora Migliore&#8221; di Simone Ghelli e la dimensione umbratile della follia. Una recensione impura.</title>
		<link>http://criticaimpura.wordpress.com/2011/09/29/lora-migliore-di-simone-ghelli-e-la-dimensione-umbratile-della-follia-una-recensione-impura/</link>
		<comments>http://criticaimpura.wordpress.com/2011/09/29/lora-migliore-di-simone-ghelli-e-la-dimensione-umbratile-della-follia-una-recensione-impura/#comments</comments>
		<pubDate>Thu, 29 Sep 2011 16:49:17 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Letteratura Impura]]></category>
		<category><![CDATA[critica letteraria]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[prosa]]></category>
		<category><![CDATA[prose poem]]></category>
		<category><![CDATA[racconto]]></category>
		<category><![CDATA[realismo]]></category>
		<category><![CDATA[scrittura]]></category>
		<category><![CDATA[Simone Ghelli]]></category>
		<category><![CDATA[surrealismo]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=493</guid>
		<description><![CDATA[di SONIA CAPOROSSI Simone Ghelli: classe 1975, livornese di Cecina, barbetta biondiccia, ciuffetto diradato, leggermente butterato, più giovane di me di due anni; brava persona, di quelle che ci ragiona su e non si incazza se non sei d’accordo; critico cinematografico capace ed appassionato (sono riuscita ad avere per breve tempo fra le mani il [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=493&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/09/29/lora-migliore-di-simone-ghelli-e-la-dimensione-umbratile-della-follia-una-recensione-impura/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		<georss:point>41.954767 12.777958</georss:point>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/09/dscf4971.jpg?w=197" medium="image">
			<media:title type="html">DSCF4971</media:title>
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	</item>
		<item>
		<title>L’eresia e la visione: Pasolini l’impuro in un Paese orribilmente sporco.</title>
		<link>http://criticaimpura.wordpress.com/2011/09/24/l%e2%80%99eresia-e-la-visione-pasolini-l%e2%80%99impuro-in-un-paese-orribilmente-sporco/</link>
		<comments>http://criticaimpura.wordpress.com/2011/09/24/l%e2%80%99eresia-e-la-visione-pasolini-l%e2%80%99impuro-in-un-paese-orribilmente-sporco/#comments</comments>
		<pubDate>Sat, 24 Sep 2011 21:49:12 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Società Impura]]></category>
		<category><![CDATA[borghesia]]></category>
		<category><![CDATA[consumismo]]></category>
		<category><![CDATA[fascismo]]></category>
		<category><![CDATA[Michel Foucault]]></category>
		<category><![CDATA[omologazione]]></category>
		<category><![CDATA[Pier Paolo Pasolini]]></category>
		<category><![CDATA[potere]]></category>
		<category><![CDATA[società dei consumi]]></category>
		<category><![CDATA[tecnofascismo]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=466</guid>
		<description><![CDATA[di ANTONELLA PIERANGELI “La libertà si manifesta nell’azione del capire” Pier Paolo Pasolini Nel corso degli anni che ci separano dalla sua morte, Pier Paolo Pasolini è stato fatto oggetto di espliciti, ripetuti, quanto indebiti tentativi di appropriazione politica. Destra e Sinistra si sono contese orribilmente il suo pensiero (a volte solo brandelli di esso) [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=466&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/09/24/l%e2%80%99eresia-e-la-visione-pasolini-l%e2%80%99impuro-in-un-paese-orribilmente-sporco/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

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			<media:title type="html">pasolini</media:title>
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		<item>
		<title>Ground Zero dopo lo schianto. Con i miei occhi.</title>
		<link>http://criticaimpura.wordpress.com/2011/09/19/ground-zero-dopo-lo-schianto-con-i-miei-occhi/</link>
		<comments>http://criticaimpura.wordpress.com/2011/09/19/ground-zero-dopo-lo-schianto-con-i-miei-occhi/#comments</comments>
		<pubDate>Mon, 19 Sep 2011 18:31:55 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Arte Impura]]></category>
		<category><![CDATA[11 Settembre 2001]]></category>
		<category><![CDATA[computer]]></category>
		<category><![CDATA[computer art]]></category>
		<category><![CDATA[digital art]]></category>
		<category><![CDATA[disegno]]></category>
		<category><![CDATA[Ground Zero]]></category>
		<category><![CDATA[Sonia Caporossi]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=449</guid>
		<description><![CDATA[di SONIA CAPOROSSI Filed under: Arte Impura Tagged: 11 Settembre 2001, computer, computer art, digital art, disegno, Ground Zero, Sonia Caporossi<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=449&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/09/19/ground-zero-dopo-lo-schianto-con-i-miei-occhi/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		<georss:point>41.954767 12.777958</georss:point>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/09/ground-zero2.jpg" medium="image">
			<media:title type="html">Ground Zero</media:title>
		</media:content>
	</item>
		<item>
		<title>L&#8217;urlo e la teoresi: appunti sullo statuto dell&#8217;arte contemporanea.</title>
		<link>http://criticaimpura.wordpress.com/2011/08/31/lurlo-e-la-teoresi-appunti-sullo-statuto-dellarte-contemporanea/</link>
		<comments>http://criticaimpura.wordpress.com/2011/08/31/lurlo-e-la-teoresi-appunti-sullo-statuto-dellarte-contemporanea/#comments</comments>
		<pubDate>Wed, 31 Aug 2011 20:49:21 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Arte Impura]]></category>
		<category><![CDATA[Filosofia Impura]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Benedetto Croce]]></category>
		<category><![CDATA[classicismo]]></category>
		<category><![CDATA[contenuto]]></category>
		<category><![CDATA[estetica]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[forma]]></category>
		<category><![CDATA[Georg Wilhelm Friedrich Hegel]]></category>
		<category><![CDATA[Giovanni Gasparro]]></category>
		<category><![CDATA[idealismo]]></category>
		<category><![CDATA[Immanuel Kant]]></category>
		<category><![CDATA[Marcel Duchamp]]></category>
		<category><![CDATA[pittura]]></category>
		<category><![CDATA[pop art]]></category>
		<category><![CDATA[Sigmund Freud]]></category>
		<category><![CDATA[sociologia]]></category>
		<category><![CDATA[storia]]></category>
		<category><![CDATA[surrealismo]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=429</guid>
		<description><![CDATA[di SONIA CAPOROSSI Tutto il dibattito e la vulgata sull’arte contemporanea (beninteso, dico contemporanea perché quella postmoderna è, come idea, oltre quest’analisi, per motivi che spiegherò più oltre) sembrerebbe, alla fin fine, riportare il giudizio critico degli addetti ai lavori sul piano della comprensione del semplice fruitore. Si sente insomma sempre più spesso dire che [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=429&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/08/31/lurlo-e-la-teoresi-appunti-sullo-statuto-dellarte-contemporanea/feed/</wfw:commentRss>
		<slash:comments>11</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

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			<media:title type="html">Giovanni_Gasparro_-_Al_limite_(2006-part_)</media:title>
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		<title>Marco Casolino o l&#8217;irriverenza della materia egotica. Un&#8217;intervista impura.</title>
		<link>http://criticaimpura.wordpress.com/2011/07/13/marco-casolino-o-lirriverenza-della-materia-egotica-unintervista-impura/</link>
		<comments>http://criticaimpura.wordpress.com/2011/07/13/marco-casolino-o-lirriverenza-della-materia-egotica-unintervista-impura/#comments</comments>
		<pubDate>Wed, 13 Jul 2011 18:55:24 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Arte Impura]]></category>
		<category><![CDATA[Interviste Impure]]></category>
		<category><![CDATA[contenuto]]></category>
		<category><![CDATA[corpo]]></category>
		<category><![CDATA[estetica]]></category>
		<category><![CDATA[forma]]></category>
		<category><![CDATA[fotografia]]></category>
		<category><![CDATA[intervista]]></category>
		<category><![CDATA[Marcel Duchamp]]></category>
		<category><![CDATA[Marco Casolino]]></category>
		<category><![CDATA[Maurizio Cattelan]]></category>
		<category><![CDATA[Pier Paolo Pasolini]]></category>
		<category><![CDATA[scultura]]></category>
		<category><![CDATA[surrealismo]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=405</guid>
		<description><![CDATA[di SONIA CAPOROSSI Se c&#8217;è in Italia un artista irriverente quanto basta da risultare disponibile ad aspirare al trono di &#8221;primo dissacratore&#8221; quando il Re (ovvero Maurizio Cattelan) sarà morto, quello è Marco Casolino. Passato dall&#8217;osservazione e dalla plasmatura della materia inerte come fonte precipua di ispirazione e di espressione, dal metallo, dal legno, dalla plastica Casolino è passato [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=405&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/07/13/marco-casolino-o-lirriverenza-della-materia-egotica-unintervista-impura/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/07/tradimento2.jpg?w=300" medium="image">
			<media:title type="html">tradimento</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/07/calzini2.jpg?w=188" medium="image">
			<media:title type="html">calzini</media:title>
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		<title>Fenomenologia della Critica Impura. Con Spirito.</title>
		<link>http://criticaimpura.wordpress.com/2011/07/08/fenomenologia-della-critica-impura-con-spirito/</link>
		<comments>http://criticaimpura.wordpress.com/2011/07/08/fenomenologia-della-critica-impura-con-spirito/#comments</comments>
		<pubDate>Fri, 08 Jul 2011 17:42:37 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Letteratura Impura]]></category>
		<category><![CDATA[Società Impura]]></category>
		<category><![CDATA[accademismo]]></category>
		<category><![CDATA[Benedetto Croce]]></category>
		<category><![CDATA[Cannibali]]></category>
		<category><![CDATA[critica letteraria]]></category>
		<category><![CDATA[Elio Pagliarani]]></category>
		<category><![CDATA[estetica]]></category>
		<category><![CDATA[Generazione TQ]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[Marco Casolino]]></category>
		<category><![CDATA[neoavanguardia]]></category>
		<category><![CDATA[poesia]]></category>
		<category><![CDATA[poststrutturalismo]]></category>
		<category><![CDATA[prosa]]></category>
		<category><![CDATA[romanzo]]></category>
		<category><![CDATA[scrittura]]></category>
		<category><![CDATA[sociologia]]></category>
		<category><![CDATA[strutturalismo]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=396</guid>
		<description><![CDATA[di SONIA CAPOROSSI L’ho sempre pensato, per quel poco che vale, oggi, un pensierare che si faccia discernimento, assunzione di coscienza e non con-fusione. L’idea m’è sorta meditando non tanto sui tempi e sui luoghi, quanto sui modi della scrittura critica, la scrittura di scrittura che è ormai genere a sé stante, letterario e sensuale, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=396&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/07/08/fenomenologia-della-critica-impura-con-spirito/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/07/vitruviano-a-riposo11.jpg?w=199" medium="image">
			<media:title type="html">vitruviano-a-riposo1</media:title>
		</media:content>
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		<item>
		<title>La questione del destinatario nelle fiabe di Perrault</title>
		<link>http://criticaimpura.wordpress.com/2011/06/30/la-questione-del-destinatario-nelle-fiabe-di-perrault/</link>
		<comments>http://criticaimpura.wordpress.com/2011/06/30/la-questione-del-destinatario-nelle-fiabe-di-perrault/#comments</comments>
		<pubDate>Thu, 30 Jun 2011 13:37:03 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Letteratura Impura]]></category>
		<category><![CDATA[Charles Perrault]]></category>
		<category><![CDATA[disegno]]></category>
		<category><![CDATA[estetica]]></category>
		<category><![CDATA[fiaba]]></category>
		<category><![CDATA[Fratelli Grimm]]></category>
		<category><![CDATA[Giambattista Basile]]></category>
		<category><![CDATA[Italo Calvino]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[Luigi XIV]]></category>
		<category><![CDATA[Marc Soriano]]></category>
		<category><![CDATA[prosa]]></category>
		<category><![CDATA[scrittura]]></category>
		<category><![CDATA[sociologia]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=388</guid>
		<description><![CDATA[di MAURA MASCHIETTI Il passaggio di destinazione dall’adulto al bambino caratterizza l’evolversi della fiaba, nel corso dei suoi attraversamenti spazio-temporali. Se nel Cunto de’ li Cunti di Basile la fiaba era una forma di intrattenimento per adulti il passaggio al pubblico infantile avviene dopo, con la scoperta del mondo infantile ed il suo progressivo differenziarsi [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=388&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/06/30/la-questione-del-destinatario-nelle-fiabe-di-perrault/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/06/puss-boot.jpg?w=241" medium="image">
			<media:title type="html">puss-boot</media:title>
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		<item>
		<title>Il caleidoscopico mondo Pop di David &#8220;Diavù&#8221; Vecchiato. Un&#8217;intervista impura.</title>
		<link>http://criticaimpura.wordpress.com/2011/06/17/il-caleidoscopico-mondo-pop-di-david-diavu-vecchiato-unintervista-impura/</link>
		<comments>http://criticaimpura.wordpress.com/2011/06/17/il-caleidoscopico-mondo-pop-di-david-diavu-vecchiato-unintervista-impura/#comments</comments>
		<pubDate>Fri, 17 Jun 2011 20:26:41 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Arte Impura]]></category>
		<category><![CDATA[Interviste Impure]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Benedetto Croce]]></category>
		<category><![CDATA[Buff Monster]]></category>
		<category><![CDATA[Dan Barry]]></category>
		<category><![CDATA[David Vecchiato]]></category>
		<category><![CDATA[disegno]]></category>
		<category><![CDATA[Ernst Gombrich]]></category>
		<category><![CDATA[estetica]]></category>
		<category><![CDATA[Marcel Duchamp]]></category>
		<category><![CDATA[matita]]></category>
		<category><![CDATA[MondoPOP]]></category>
		<category><![CDATA[musica]]></category>
		<category><![CDATA[pittura]]></category>
		<category><![CDATA[pop art]]></category>
		<category><![CDATA[pop surrealism]]></category>
		<category><![CDATA[pulp]]></category>
		<category><![CDATA[surrealismo]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=351</guid>
		<description><![CDATA[di SONIA CAPOROSSI Artista poliedrico e multiforme, David &#8220;Diavù&#8221; Vecchiato ha attraversato gli ultimi vent’anni di pop culture italiana ed europea da protagonista assoluto. E’ stato ed è, di volta in volta, pittore, scultore, editore, musicista, illustratore, cartoonist, vocalist, speaker e dj radiofonico, artista arrabbiato e irriverente, con il culto del colore sovraccarico e dello [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=351&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/06/17/il-caleidoscopico-mondo-pop-di-david-diavu-vecchiato-unintervista-impura/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/06/zabum_diavu.jpg?w=300" medium="image">
			<media:title type="html">zabum_diavu</media:title>
		</media:content>
	</item>
		<item>
		<title>Lingua, linguaggio e costruzione della coscienza</title>
		<link>http://criticaimpura.wordpress.com/2011/05/16/lingua-linguaggio-e-costruzione-della-coscienza/</link>
		<comments>http://criticaimpura.wordpress.com/2011/05/16/lingua-linguaggio-e-costruzione-della-coscienza/#comments</comments>
		<pubDate>Mon, 16 May 2011 21:03:34 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Filosofia Impura]]></category>
		<category><![CDATA[antropologia]]></category>
		<category><![CDATA[arte]]></category>
		<category><![CDATA[coscienza]]></category>
		<category><![CDATA[cultura]]></category>
		<category><![CDATA[Emilio Garroni]]></category>
		<category><![CDATA[Ernst Cassirer]]></category>
		<category><![CDATA[estetica]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[filosofia del linguaggio]]></category>
		<category><![CDATA[Immanuel Kant]]></category>
		<category><![CDATA[Ipotesi di Sapir-Whorf]]></category>
		<category><![CDATA[Jean Baudrillard]]></category>
		<category><![CDATA[Jerome Bruner]]></category>
		<category><![CDATA[Johann Gottfried Herder]]></category>
		<category><![CDATA[John Eccles]]></category>
		<category><![CDATA[Jurij Michajlovič Lotman]]></category>
		<category><![CDATA[Ludwig Wittgenstein]]></category>
		<category><![CDATA[Michel Foucault]]></category>
		<category><![CDATA[sé]]></category>
		<category><![CDATA[semiosfera]]></category>
		<category><![CDATA[semiotica]]></category>
		<category><![CDATA[sociologia]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=343</guid>
		<description><![CDATA[Senza parole. di SONIA CAPOROSSI La civiltà occidentale, per alcuni fortunosamente, per altri a ragione, è stata caratterizzata da una concezione secolare dell’uomo come animal rationale che la lunga serie di teorie irrazionalistiche succedutesi nel pensiero moderno ha tentato di superare, oltrepassare, bypassare nel bieco e fascinoso, pienissimo vuoto del nichilismo. In effetti, la razionalità [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=343&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/05/16/lingua-linguaggio-e-costruzione-della-coscienza/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/05/linguaggio1.jpg?w=300" medium="image">
			<media:title type="html">linguaggio</media:title>
		</media:content>
	</item>
		<item>
		<title>Simpliciter &amp; Complicatibus in: &#8220;Senza Titolo&#8221;, da &#8220;L&#8217;irragionevole prova del Nove&#8221;</title>
		<link>http://criticaimpura.wordpress.com/2011/05/10/simpliciter-complicatibus-in-senza-titolo-da-lirragionevole-prova-del-nove/</link>
		<comments>http://criticaimpura.wordpress.com/2011/05/10/simpliciter-complicatibus-in-senza-titolo-da-lirragionevole-prova-del-nove/#comments</comments>
		<pubDate>Tue, 10 May 2011 18:43:30 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Testi Impuri]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[Giovanni Campi]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[Marco Casolino]]></category>
		<category><![CDATA[prosa]]></category>
		<category><![CDATA[scrittura]]></category>
		<category><![CDATA[straniamento]]></category>
		<category><![CDATA[surrealismo]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=323</guid>
		<description><![CDATA[di GIOVANNI CAMPI […] Simpliciter: &#8211; Come interpretare tutto insieme? Complicatibus: &#8211; Cosa interpretare: tutto l&#8217;insieme? o l&#8217;insieme del tutto? o il tutto dell&#8217;insieme? Forse non c&#8217;è da interpretare nessuna parte: se pure ci fosse questa gran copia, non c&#8217;è copione da seguire. Quella del copione è un&#8217;altra storia, con dei personaggî, con delle parti, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=323&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/05/10/simpliciter-complicatibus-in-senza-titolo-da-lirragionevole-prova-del-nove/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/05/non-farti-mettere-i-piedi-in-testa.jpg?w=300" medium="image">
			<media:title type="html">Non farti mettere i piedi in testa</media:title>
		</media:content>
	</item>
		<item>
		<title>Intermittenze del cuore, epifania del desiderio: Sandro Penna &#8220;mostro da niente&#8221;</title>
		<link>http://criticaimpura.wordpress.com/2011/05/04/intermittenze-del-cuore-epifania-del-desiderio-sandro-penna-mostro-da-niente/</link>
		<comments>http://criticaimpura.wordpress.com/2011/05/04/intermittenze-del-cuore-epifania-del-desiderio-sandro-penna-mostro-da-niente/#comments</comments>
		<pubDate>Wed, 04 May 2011 22:01:42 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Letteratura Impura]]></category>
		<category><![CDATA[eros]]></category>
		<category><![CDATA[filologia]]></category>
		<category><![CDATA[macrotesto]]></category>
		<category><![CDATA[Mario Schifano]]></category>
		<category><![CDATA[monolinguismo]]></category>
		<category><![CDATA[Pier Paolo Pasolini]]></category>
		<category><![CDATA[poesia]]></category>
		<category><![CDATA[psicogramma]]></category>
		<category><![CDATA[Sandro Penna]]></category>
		<category><![CDATA[vitalismo]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=299</guid>
		<description><![CDATA[Di ANTONELLA PIERANGELI  … Così l’anima inventa le parole Un poco detestabili.  Ma il sole … Sandro Penna Nonostante abbia attraversato più della metà del Novecento, snodandosi per circa un quarantennio, quella di Sandro Penna è un&#8217;opera che resta ancora assente dalla propria storia. I tentativi critici di rintracciare uno sviluppo interno al corpus penniano &#8211; [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=299&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/05/04/intermittenze-del-cuore-epifania-del-desiderio-sandro-penna-mostro-da-niente/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/05/sandro-penna.jpg?w=201" medium="image">
			<media:title type="html">sandro penna</media:title>
		</media:content>
	</item>
		<item>
		<title>Vita ed opera di Giambattista Basile cortigiano e fiabista</title>
		<link>http://criticaimpura.wordpress.com/2011/04/24/vita-ed-opera-di-giambattista-basile-cortigiano-e-fiabista/</link>
		<comments>http://criticaimpura.wordpress.com/2011/04/24/vita-ed-opera-di-giambattista-basile-cortigiano-e-fiabista/#comments</comments>
		<pubDate>Sun, 24 Apr 2011 22:07:53 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Letteratura Impura]]></category>
		<category><![CDATA[barocco]]></category>
		<category><![CDATA[Benedetto Croce]]></category>
		<category><![CDATA[fiaba]]></category>
		<category><![CDATA[Giambattista Basile]]></category>
		<category><![CDATA[Giulio Cesare Cortese]]></category>
		<category><![CDATA[Italo Calvino]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[Pentamerone]]></category>
		<category><![CDATA[prosa]]></category>
		<category><![CDATA[racconto]]></category>
		<category><![CDATA[scrittura]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=273</guid>
		<description><![CDATA[di MAURA MASCHIETTI  Nato a Napoli nel 1575, da famiglia di cortigiani ed artisti, Giambattista Basile fu cortigiano e letterato, militare e diplomatico, improvvisatore di versi in italiano e spagnolo,  amministratore di beni feudali e vicereali. Arruolatosi nelle milizie delle Repubblica di Venezia, allora impegnata a fronteggiare il pericolo turco, tornò in patria nel 1608. A [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=273&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>3</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/04/220px-giambattista_basile.jpg" medium="image">
			<media:title type="html">220px-Giambattista_Basile</media:title>
		</media:content>
	</item>
		<item>
		<title>L&#8217;itinerario narrativo della fiaba come genere</title>
		<link>http://criticaimpura.wordpress.com/2011/04/22/litinerario-narrativo-della-fiaba-come-genere/</link>
		<comments>http://criticaimpura.wordpress.com/2011/04/22/litinerario-narrativo-della-fiaba-come-genere/#comments</comments>
		<pubDate>Fri, 22 Apr 2011 14:42:24 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Letteratura Impura]]></category>
		<category><![CDATA[Andrè Jolles]]></category>
		<category><![CDATA[Dacia Maraini]]></category>
		<category><![CDATA[estetica]]></category>
		<category><![CDATA[fiaba]]></category>
		<category><![CDATA[forma]]></category>
		<category><![CDATA[Giovanna Cerina]]></category>
		<category><![CDATA[Jacob Grimm]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[Maria Corti]]></category>
		<category><![CDATA[Max Luthi]]></category>
		<category><![CDATA[oralità]]></category>
		<category><![CDATA[prosa]]></category>
		<category><![CDATA[scrittura]]></category>
		<category><![CDATA[sociologia]]></category>
		<category><![CDATA[strutturalismo]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=265</guid>
		<description><![CDATA[di MAURA MASCHIETTI  Il codice fiabesco Sopravvissuto all’usura del tempo, il racconto fiabesco, nel corso dei suoi attraversamenti storici, sociali, geografici e culturali, ha tracciato una fitta rete di percorsi, ora in superficie, ora in profondità. Rigenerandosi di continuo, in forza della sua estrema duttilità e della sua inesauribile energia comunicativa, esso è divenuto veicolo di [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=265&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/04/22/litinerario-narrativo-della-fiaba-come-genere/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/04/rackham_riding2.jpg?w=210" medium="image">
			<media:title type="html">Rackham</media:title>
		</media:content>
	</item>
		<item>
		<title>Critica impura di un rinnovamento storiografico del Novecento: la scuola delle Annales. Seconda Parte: la morte dell&#8217;Homme</title>
		<link>http://criticaimpura.wordpress.com/2011/03/31/critica-impura-di-un-rinnovamento-storiografico-del-novecento-la-scuola-delle-annales-seconda-parte-la-morte-dellhomme/</link>
		<comments>http://criticaimpura.wordpress.com/2011/03/31/critica-impura-di-un-rinnovamento-storiografico-del-novecento-la-scuola-delle-annales-seconda-parte-la-morte-dellhomme/#comments</comments>
		<pubDate>Thu, 31 Mar 2011 18:41:39 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Storia Impura]]></category>
		<category><![CDATA[Annales]]></category>
		<category><![CDATA[Fernand Braudel]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[Henri Poincaré]]></category>
		<category><![CDATA[Jacques Le Goff]]></category>
		<category><![CDATA[Lucien Febvre]]></category>
		<category><![CDATA[Marc Bloch]]></category>
		<category><![CDATA[Oswald Spengler]]></category>
		<category><![CDATA[poststrutturalismo]]></category>
		<category><![CDATA[sociologia]]></category>
		<category><![CDATA[storia]]></category>
		<category><![CDATA[storiografia]]></category>
		<category><![CDATA[strutturalismo]]></category>
		<category><![CDATA[Werner Heisenberg]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=255</guid>
		<description><![CDATA[Fernand Braudel di SONIA CAPOROSSI  Accanto alle preoccupazioni epistemologiche e morali, disattese, di conservazione del ruolo umanistico della disciplina storica, le Annales si facevano anche portavoce della concezione della storia come scienza [1]: ma, beninteso, nella totale assenza di distinzione di ciò che è storia e ciò che non lo è. Lo storico pone nuove domande [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=255&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>4</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/03/braudel.jpg" medium="image">
			<media:title type="html">braudel</media:title>
		</media:content>
	</item>
		<item>
		<title>Critica impura di un rinnovamento storiografico del Novecento: la scuola delle Annales. Prima Parte: la &#8220;dissipatio Humani Generis&#8221;</title>
		<link>http://criticaimpura.wordpress.com/2011/03/31/critica-impura-di-un-rinnovamento-storiografico-del-novecento-la-scuola-delle-annales-prima-parte-la-dissipatio-humani-generis/</link>
		<comments>http://criticaimpura.wordpress.com/2011/03/31/critica-impura-di-un-rinnovamento-storiografico-del-novecento-la-scuola-delle-annales-prima-parte-la-dissipatio-humani-generis/#comments</comments>
		<pubDate>Thu, 31 Mar 2011 18:22:08 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Storia Impura]]></category>
		<category><![CDATA[Annales]]></category>
		<category><![CDATA[Émile Durkheim]]></category>
		<category><![CDATA[Fernand Braudel]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[Jacques Le Goff]]></category>
		<category><![CDATA[Lucien Febvre]]></category>
		<category><![CDATA[Marc Bloch]]></category>
		<category><![CDATA[poststrutturalismo]]></category>
		<category><![CDATA[sociologia]]></category>
		<category><![CDATA[storia]]></category>
		<category><![CDATA[storiografia]]></category>
		<category><![CDATA[strutturalismo]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=238</guid>
		<description><![CDATA[  Marc Bloch e Lucièn Febvre Di SONIA CAPOROSSI Quando la scuola storiografica delle Annales, com’è noto, sorse in Francia intorno alla rivista Annales d&#8217;histoire économique et sociale fondata nel 1929 da Marc Bloch e Lucièn Fevbre [1], essa fu immediatamente caratterizzata da  una considerazione fortemente innovativa della ricerca storiografica. Questo senso di ricerca ed [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=238&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>2</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/03/bloch-febvre5.jpg?w=300" medium="image">
			<media:title type="html">bloch-febvre</media:title>
		</media:content>
	</item>
		<item>
		<title>Dialogo impuro fra l&#8217;Amore senz&#8217;anima e l&#8217;Anima senza amore</title>
		<link>http://criticaimpura.wordpress.com/2011/02/21/dialogo-impuro-fra-lamore-senzanima-e-lanima-senza-amore/</link>
		<comments>http://criticaimpura.wordpress.com/2011/02/21/dialogo-impuro-fra-lamore-senzanima-e-lanima-senza-amore/#comments</comments>
		<pubDate>Mon, 21 Feb 2011 20:15:34 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[I Dialoghi Impuri di A ed S]]></category>
		<category><![CDATA[amore]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[Platone]]></category>
		<category><![CDATA[prosa]]></category>
		<category><![CDATA[psiche]]></category>
		<category><![CDATA[Roland Barthes]]></category>
		<category><![CDATA[sé]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=233</guid>
		<description><![CDATA[Antonio Canova, Amore e Psiche, 1788-1793 Di SONIA CAPOROSSI e ANTONELLA PIERANGELI S: Se tu sei Amore ed io sono il Sé, ci può essere un dialogo fra l&#8217;Amore ed il Sé? A: &#8220;Sé&#8221; l&#8217;amore c&#8217;è&#8230;Senza ma e senza se&#8230; S: Ma se io sono l&#8217;Anima e tu sei l&#8217;Istinto, non consisti tu forse semplicemente in [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=233&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/02/21/dialogo-impuro-fra-lamore-senzanima-e-lanima-senza-amore/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/02/amore_e_psiche.jpg?w=300" medium="image">
			<media:title type="html">amore_e_psiche</media:title>
		</media:content>
	</item>
		<item>
		<title>Il surrealismo e la psicanalisi della produzione e della fruizione artistica secondo Kris e Gombrich</title>
		<link>http://criticaimpura.wordpress.com/2011/02/19/il-surrealismo-e-la-psicanalisi-della-produzione-e-della-fruizione-artistica-secondo-kris-e-gombrich/</link>
		<comments>http://criticaimpura.wordpress.com/2011/02/19/il-surrealismo-e-la-psicanalisi-della-produzione-e-della-fruizione-artistica-secondo-kris-e-gombrich/#comments</comments>
		<pubDate>Sat, 19 Feb 2011 01:59:36 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Arte Impura]]></category>
		<category><![CDATA[Ernst Gombrich]]></category>
		<category><![CDATA[Ernst Kris]]></category>
		<category><![CDATA[estetica]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[pittura]]></category>
		<category><![CDATA[psicanalisi]]></category>
		<category><![CDATA[Samuel Taylor Coleridge]]></category>
		<category><![CDATA[Sigmund Freud]]></category>
		<category><![CDATA[straniamento]]></category>
		<category><![CDATA[surrealismo]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=218</guid>
		<description><![CDATA[René Magritte, Ceci n&#8217;est pas une pipe, 1929 Di SONIA CAPOROSSI L’importanza della figura di Ernst Kris come storico dell’arte e psicanalista, la sua imprescindibilità teorica nell’estetica contemporanea è notoria, ma l’interesse che in particolar modo io gli ho sempre rivolto, probabilmente, è dovuto al fatto che egli considera i concetti di ispirazione ed elaborazione [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=218&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>2</slash:comments>
		<georss:point>41.954767 12.777958</georss:point>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
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			<media:title type="html">magritte-pipe</media:title>
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		<title>Il romanzo che critica se stesso: Don Chisciotte e Tristam Shandy sulle tracce di Sklovskij</title>
		<link>http://criticaimpura.wordpress.com/2011/02/12/il-romanzo-che-critica-se-stesso-don-chisciotte-e-tristam-shandy-sulle-tracce-di-sklovskij/</link>
		<comments>http://criticaimpura.wordpress.com/2011/02/12/il-romanzo-che-critica-se-stesso-don-chisciotte-e-tristam-shandy-sulle-tracce-di-sklovskij/#comments</comments>
		<pubDate>Sat, 12 Feb 2011 22:58:45 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Letteratura Impura]]></category>
		<category><![CDATA[contenuto]]></category>
		<category><![CDATA[critica letteraria]]></category>
		<category><![CDATA[Don Chisciotte]]></category>
		<category><![CDATA[forma]]></category>
		<category><![CDATA[formalismo russo]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[narrazione]]></category>
		<category><![CDATA[plot]]></category>
		<category><![CDATA[prosa]]></category>
		<category><![CDATA[romanzo]]></category>
		<category><![CDATA[scrittura]]></category>
		<category><![CDATA[straniamento]]></category>
		<category><![CDATA[strutturalismo]]></category>
		<category><![CDATA[trama]]></category>
		<category><![CDATA[Tristam Shandy]]></category>
		<category><![CDATA[Viktor Šklovskij]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=210</guid>
		<description><![CDATA[di SONIA CAPOROSSI “Di solito, si sente affermare che il Tristam Shandy non è un romanzo; chi parla così, sono quelli per i quali soltanto l’opera è musica, mentre la sinfonia è confusione. Il Tristam Shandy è il romanzo più tipico della letteratura mondiale”. Viktor B. Sklovskij, 1925 Quello che Viktor Sklovskij descrisse all’interno di [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=210&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/02/12/il-romanzo-che-critica-se-stesso-don-chisciotte-e-tristam-shandy-sulle-tracce-di-sklovskij/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

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			<media:title type="html">shandy</media:title>
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		<title>La maschera del sé riflesso in Persona di Ingmar Bergman</title>
		<link>http://criticaimpura.wordpress.com/2011/02/06/la-maschera-del-se-riflesso-in-persona-di-ingmar-bergman/</link>
		<comments>http://criticaimpura.wordpress.com/2011/02/06/la-maschera-del-se-riflesso-in-persona-di-ingmar-bergman/#comments</comments>
		<pubDate>Sun, 06 Feb 2011 19:32:04 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Cinema Impuro]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[esistenzialismo]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[sé]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=198</guid>
		<description><![CDATA[Liv Ullmann in Persona (1966) di ANTONELLA PIERANGELI La pellicola s’addentra nel proiettore, mentre immagini accelerate di un film muto si alternano ai richiami orrorifici di un agnello sgozzato e di un chiodo impresso a forza nel palmo di una mano. Un bambino, in una stanza bianchissima con un solo letto, appoggia la mano su [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=198&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/02/06/la-maschera-del-se-riflesso-in-persona-di-ingmar-bergman/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		<georss:point>41.954767 12.777958</georss:point>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/02/persona.jpg?w=300" medium="image">
			<media:title type="html">persona</media:title>
		</media:content>
	</item>
		<item>
		<title>Eruzione Cerebrale</title>
		<link>http://criticaimpura.wordpress.com/2011/02/06/eruzione-cerebrale/</link>
		<comments>http://criticaimpura.wordpress.com/2011/02/06/eruzione-cerebrale/#comments</comments>
		<pubDate>Sun, 06 Feb 2011 12:12:03 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Arte Impura]]></category>
		<category><![CDATA[disegno]]></category>
		<category><![CDATA[matita]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=187</guid>
		<description><![CDATA[R. Ruggiero, Eruzione Cerebrale, 2010 (matite colorate) ROSALBA RUGGIERO nasce ad Agropoli in provincia di Salerno il 6 aprile del 1979, ma vive da sempre in un piccolo paese dell&#8217;entroterra cilentano. Ha lavorato presso una bottega d&#8217;arte come aiutante restauratrice dove ha collaborato a numerosi ripristini di opere artistiche. Ha esposto i suoi lavori in [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=187&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/02/06/eruzione-cerebrale/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		<georss:point>41.954767 12.777958</georss:point>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/02/eruzionecerebrale2.jpg" medium="image">
			<media:title type="html">eruzionecerebrale</media:title>
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		<title>Il sangue della forma e la carne del contenuto. Una macellazione impura.</title>
		<link>http://criticaimpura.wordpress.com/2011/01/31/il-sangue-della-forma-e-la-carne-del-contenuto-una-macellazione-impura/</link>
		<comments>http://criticaimpura.wordpress.com/2011/01/31/il-sangue-della-forma-e-la-carne-del-contenuto-una-macellazione-impura/#comments</comments>
		<pubDate>Mon, 31 Jan 2011 23:40:11 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[I Dialoghi Impuri di A ed S]]></category>
		<category><![CDATA[contenuto]]></category>
		<category><![CDATA[corpo]]></category>
		<category><![CDATA[forma]]></category>
		<category><![CDATA[musica]]></category>
		<category><![CDATA[poesia]]></category>
		<category><![CDATA[prosa]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=177</guid>
		<description><![CDATA[&#160; di SONIA CAPOROSSI e ANTONELLA PIERANGELI A: Il vizio del poemetto è un morbo che abbranca. Ci pensavo giusto questa notte. S: Il poemetto come genere troppo spesso è al limite del lirico, la prosaicità è il suo vero rischio. A: La prosaicità è il suo vero pregio… S: No. Se un giorno io [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=177&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/01/31/il-sangue-della-forma-e-la-carne-del-contenuto-una-macellazione-impura/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
		<georss:point>41.954767 12.777958</georss:point>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/01/rembrandt1.jpg?w=245" medium="image">
			<media:title type="html">rembrandt1</media:title>
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		<title>Fantasma Inferno e il Generatore del Vuoto. Una conversazione musicale impura tra Gianmarco Iantaffi, Cristiano Lodi e Sonia Caporossi.</title>
		<link>http://criticaimpura.wordpress.com/2011/01/28/fantasma-inferno-e-il-generatore-del-vuoto-una-conversazione-musicale-impura-tra-gianmarco-iantaffi-cristiano-lodi-e-sonia-caporossi/</link>
		<comments>http://criticaimpura.wordpress.com/2011/01/28/fantasma-inferno-e-il-generatore-del-vuoto-una-conversazione-musicale-impura-tra-gianmarco-iantaffi-cristiano-lodi-e-sonia-caporossi/#comments</comments>
		<pubDate>Fri, 28 Jan 2011 18:15:05 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Interviste Impure]]></category>
		<category><![CDATA[Musica Impura]]></category>
		<category><![CDATA[intervista]]></category>
		<category><![CDATA[musica]]></category>
		<category><![CDATA[progressive rock]]></category>
		<category><![CDATA[psichedelia]]></category>
		<category><![CDATA[space rock]]></category>
		<category><![CDATA[Void Generator]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=159</guid>
		<description><![CDATA[Void Generator Di SONIA CAPOROSSI   I Void Generator, senza falsa modestia, sono una band di punta della psichedelia, dello space e dell’art – rock italiano, viva ed attiva fin dal 1996, pur con svariati cambi di formazione, e certamente più apprezzata all’estero di quanto sia nella madrepatria. Chi scrive ne è membro fondatore e [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=159&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/01/28/fantasma-inferno-e-il-generatore-del-vuoto-una-conversazione-musicale-impura-tra-gianmarco-iantaffi-cristiano-lodi-e-sonia-caporossi/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/01/voidgenerator.jpg?w=300" medium="image">
			<media:title type="html">Void+Generator</media:title>
		</media:content>
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		<item>
		<title>Aiuto. Se è il corpo a parlare. Michel Foucault o della Corporeità Inquieta.</title>
		<link>http://criticaimpura.wordpress.com/2011/01/23/aiuto-se-e-il-corpo-a-parlare-michel-foucault-o-della-corporeita-inquieta/</link>
		<comments>http://criticaimpura.wordpress.com/2011/01/23/aiuto-se-e-il-corpo-a-parlare-michel-foucault-o-della-corporeita-inquieta/#comments</comments>
		<pubDate>Sun, 23 Jan 2011 11:23:39 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Filosofia Impura]]></category>
		<category><![CDATA[corpo]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[Michel Foucault]]></category>
		<category><![CDATA[poststrutturalismo]]></category>
		<category><![CDATA[potere]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=141</guid>
		<description><![CDATA[Michel Foucault di ANTONELLA PIERANGELI “Il potere si è addentrato nel corpo, esso si trova esposto nel corpo stesso.” Michel Foucault Il corpo parla. Il corpo racconta. Il corpo chiede aiuto. Il corpo è il luogo in cui s’inscrive il potere, è il dominio esteso di una torsione di senso. Se nel corpo stesso si [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=141&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/01/23/aiuto-se-e-il-corpo-a-parlare-michel-foucault-o-della-corporeita-inquieta/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		<georss:point>41.954767 12.777958</georss:point>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/01/michelfoucault.jpg?w=300" medium="image">
			<media:title type="html">MichelFoucault</media:title>
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		<item>
		<title>Io, non &#8211; io, perchè proprio io? Il problema filosofico della conoscenza di sé dal razionalismo all&#8217;idealismo</title>
		<link>http://criticaimpura.wordpress.com/2011/01/23/io-non-io-perche-proprio-io-il-problema-filosofico-della-conoscenza-di-se-dal-razionalismo-allidealismo/</link>
		<comments>http://criticaimpura.wordpress.com/2011/01/23/io-non-io-perche-proprio-io-il-problema-filosofico-della-conoscenza-di-se-dal-razionalismo-allidealismo/#comments</comments>
		<pubDate>Sun, 23 Jan 2011 10:33:51 +0000</pubDate>
		<dc:creator>Critica Impura</dc:creator>
				<category><![CDATA[Filosofia Impura]]></category>
		<category><![CDATA[Anselmo D'Aosta]]></category>
		<category><![CDATA[Aristotele]]></category>
		<category><![CDATA[Baruch Spinoza]]></category>
		<category><![CDATA[David Hume]]></category>
		<category><![CDATA[Eulero]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[Friedrich Schelling]]></category>
		<category><![CDATA[Gaunilone]]></category>
		<category><![CDATA[Georg Wilhelm Friedrich Hegel]]></category>
		<category><![CDATA[George Berkeley]]></category>
		<category><![CDATA[Giovanni Gentile]]></category>
		<category><![CDATA[Gottfried Leibniz]]></category>
		<category><![CDATA[idealismo]]></category>
		<category><![CDATA[Immanuel Kant]]></category>
		<category><![CDATA[Johann Gottlieb Fichte]]></category>
		<category><![CDATA[John Locke]]></category>
		<category><![CDATA[razionalismo]]></category>
		<category><![CDATA[Renato Cartesio]]></category>
		<category><![CDATA[sé]]></category>
		<category><![CDATA[Søren Kierkegaard]]></category>
		<category><![CDATA[Thomas Hobbes]]></category>

		<guid isPermaLink="false">http://criticaimpura.wordpress.com/?p=73</guid>
		<description><![CDATA[di SONIA CAPOROSSI       La conoscenza di sé, si dà per certo, è un impulso fra i più vivi dello schietto filosophein, fin dallo gnòthi s’autòn socratico o pseudosocratico. Ex abrupto, problema non facile, corruccio umano che specialmente dal Seicento all’Ottocento ha preso le variegate forme di un raziocinare in generale sul raziocinio in particolare, o anche, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=criticaimpura.wordpress.com&amp;blog=12594249&amp;post=73&amp;subd=criticaimpura&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://criticaimpura.wordpress.com/2011/01/23/io-non-io-perche-proprio-io-il-problema-filosofico-della-conoscenza-di-se-dal-razionalismo-allidealismo/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		<georss:point>41.954767 12.777958</georss:point>
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			<media:title type="html">Sonia Caporossi ed Antonella Pierangeli</media:title>
		</media:content>

		<media:content url="http://criticaimpura.files.wordpress.com/2011/01/pensiero-ad-un-cane-andaluso-compressa.jpg?w=300" medium="image">
			<media:title type="html">pensiero ad un cane andaluso compressa</media:title>
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